We travelled to Milan in Italy to visit our our friends at 3zero2 TV to celebrate the great occasion. 3zero2 TV has over 90 connected stadiums and 70 ENG crews covering the entire country of Italy. They are producing up to 30 simultaneous matches a day. That’s 1500+ games per year.
JVCKENWOOD Corporation (“JVCKENWOOD”) announces that it has decided to invest in Streamstar a.s. (“Streamstar”), a Slovakian company specializing in the development, manufacture, and sales of IP-based live video production and streaming systems, and to strengthen the partnership with the company in order to expand its IP-based production solutions business. Read
Anyone who has done any live streaming knows it’s a fairly complex undertaking with many different aspects and you need to fine tune your operation to be successful. Leave one thing out and it can ruin all your hard work. Even more so in live sports streaming where time pressure
Although proper encoder setup greatly impacts the overall quality and workflow of live streaming productions, it is often overlooked, even considered a nuisance by some people. The encoder settings determine the resolution, bitrate and data transfer requirements and therefore it is extremely important to set it up correctly. But setting
A research from Statista.com shows, that penetration of video content in the United States is above 90 % and raising. High levels of video penetration are seen all around the world indicating a global trend. For you as a producer it means that “the fight for viewers is on”. It’s not
It’s not only Vegemite the Australians have developed a special taste for. In recent years Futsal has gained a foothold in the Land of Oz and from its humble beginnings it developed into a popular sport nation-wide, with tournaments, championships and thousands of online viewers. We talked to Andre Basso
We asked live sports producers what is the most important feature in live sports productions. The answer was clear: “Replays and Slo-mo!” It’s nice to have 12 cameras, expensive lenses and a huge crew, but more important than anything else is to have a fast, flexible and reliable production switcher
This infographic gives you a nice overview. A survey by Statista.com conducted in January 2018 says that 85% of U.S. internet users watched online video content on any device. But Saudi Arabia ranked first with a 95% online video penetration among the online population.
Whenever a replay is switched a wipe is played to lead in (out) the replay. The cut between a live camera and the replay is performed at 1 sec. after the replay playback was triggered WIPE CONSTRUCTION: When constructing the wipe, you have 1 sec. (50/60 frames – PAL/NTSC) to make the IN-animation part of the
Wipes are Lead In/Out animations used as transitions for Replays. They present a perfect opportunity to enhance your live production visually by introducing commercial content (Sponsors Logos, Commercial partners Logos …) into your Live pro production. It is an acceptable way of displaying commercial content without disturbing the flow of your live production and